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| From the broadcast
the weekend of July 19th & 20th, 2008: |
Our Featured Artist on this program was Janet Paschal with songs from
her current "Sounds Like Sunday" CD. Janet's been well known to Southern
Gospel music fans ever since the late 1970s when she joined the
LeFevres, a group which soon became the Rex Nelon Singers.
Then 21 years ago she decided to launch a solo ministry, and that's what
she's been doing ever since. A bout with breast cancer a few years ago slowed
her down for a while, but now she's as busy as ever. Her current radio song
from that CD, "I See A Crimson Stream," is unusual in that the radio
version of the song is just a bit different from the CD version. The radio
version also includes Sheri Easter and Charlotte Ritchie, mostly
singing harmony. We explained why on the air. The song is described by their
record company as "a traditional 19th century hymn arranged in a Celtic and
Appalachian style." OK. But all I know is... it sounds good.
Janet Paschal's CD featured on this program, "Sounds Like
Sunday," is available from our mailorder service, Springside. Just call
1-800-38-MUSIC to order. You can order easily from our webstore by
using this
link to go directly to this item. (Orders over $40 in the USA qualify
for free shipping.)

I always enjoy visiting with Shannon Bunch, as we did on this program's
Artist Spotlight segment. One of the songs we included, "Lord, I Thank
You For The Valley," is Shannon's current radio song from his "Take
Me There" CD, his seventh album. Shannon's fascinating biography is posted
on his website,
www.shannonbunch.com, which explains
the significance of that "Take Me There" title and why it has meant so much
over the years. Shannon's e-mail is
shannon@shannonbunch.com.
Did
you enjoy hearing once again the voice of the late Rusty Goodman,
our "Yesterday's Voices" feature for this week? That was from an interview
recorded back in 1983, and, amazingly, I think I remember the actual
circumstances of the interview. It was well after midnight in a basement
meeting room of the old Municipal Auditorium in Nashville, TN, where the
National Quartet Convention was still held at the time. We were both worn
out, but Rusty was in a talkative mood. I think he actually yawned in the
middle of one comment. (Of course, that got edited out.) But he seemed even
more reflective and introspective than usual that night and I learned a lot
about the heart of Rusty Goodman during that interview. We'll have more
"Yesterday's Voices" features in the weeks ahead.
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